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W64 vs WAV

W64 vs WAV

Ein detaillierter Vergleich von Sony Wave64 und WAV Audio — Dateigröße, Qualität, Kompatibilität und welches je nach Workflow zu wählen ist.

W64

Sony Wave64

Audio Files

Wave64 (W64) is an extension of the WAV format developed by Sony that breaks the 4 GB file size limit of standard WAV by using 64-bit chunk sizes. It is used in professional audio production for very long or multi-channel recordings.

Über W64-Dateien
WAV

WAV Audio

Audio Files

WAV is an uncompressed audio format that preserves full audio fidelity. Files are large but provide lossless, CD-quality sound. It is the standard working format in audio production and editing.

Über WAV-Dateien

Vorteilsvergleich

W64 Vorteile

  • Unlimited file size (64-bit chunks).
  • Professional DAW compatibility.
  • Bit-exact lossless.

WAV Vorteile

  • Bit-perfect, uncompressed audio — the professional studio standard.
  • Universally supported for playback, editing, and analysis.
  • No re-encoding penalty — edit and save repeatedly with zero quality loss.
  • Simple internal structure — easy to parse programmatically.
  • Supports up to 32-bit float and 384 kHz sample rates.

Einschränkungen

W64 Einschränkungen

  • Less universal than WAV.
  • Niche — only matters for very large sessions.
  • Competes with RF64.

WAV Einschränkungen

  • Enormous file sizes — 10 MB per minute for CD-quality stereo.
  • 4 GB size limit for standard WAV (RF64/W64 variants extend it but break compatibility).
  • No native support for cover art or rich metadata.
  • Impractical for casual listening or bandwidth-constrained delivery.

Technische Spezifikationen

Spezifikation W64 WAV
MIME type audio/x-w64 audio/wav
Extension .w64
Max size 2^64 bytes 4 GB (standard WAV), unlimited (RF64 / W64)
Relative RF64 (EBU 64-bit WAV)
Container RIFF
Typical codec PCM (uncompressed)
Bit depth 8, 16, 24, 32 bit integer or float
Sample rate Up to 384 kHz

Typische Dateigrößen

W64

  • 1-hour 24-bit 48 kHz mono ~620 MB
  • 48-hour field recording ~30 GB

WAV

  • Song (4 min, CD quality) 40 MB
  • Voice memo (1 min, 16-bit 44.1 kHz) 10 MB
  • Studio master (1 min, 24-bit 96 kHz) 33 MB
  • Field recording (1 hour, 24-bit 48 kHz) 1 GB

Bereit zum Umwandeln?

Wandle zwischen W64 und WAV online um, kostenlos und ohne Installation. Verschlüsselter Upload, automatische Löschung in 60 Minuten.

Häufig gestellte Fragen

W64 (Sony Wave64) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

W64 (Sony Wave64) is an audio formatoo de arquivo used to store sound recordings — music, voice, podcasts, sound effects. The formato defines how the audio samples are comprimido (or stored raw), what bitrates are suportado, e how metadata como title, artist, album, e cover art is embedded. It is part of the audio arquivos family.

VLC, foobar2000, and the default media players on Windows and macOS handle W64 natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

VLC, foobar2000, e the default media players no Windows e macOS handle W64 natively. On mobile, iOS Music e Android media apps vary in their support — popular formatoos funcionar everywhere; niche ones may need a dedicated app. If playback fails em um device, convertendo to MP3 ou AAC Geralmente solves it.

Upload the W64 to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.

W64 can be lossy or lossless depending on the specific variant. Lossy variants (smaller files) discard some audio detail during compression in ways tuned to be inaudible; lossless variants preserve every sample exactly but produce larger files. For distribution, lossy at high bitrate is standard; for archival, lossless wins.