AU vs OPUS
A detailed comparison of Sun AU Audio and Opus Audio — file size, quality, compatibility, and which format to choose for your workflow.
Sun AU Audio
Audio FilesAU is a simple audio format from Sun Microsystems, commonly used on Unix systems.
About AU filesOpus Audio
Audio FilesOpus is a versatile, open-source audio codec optimized for both speech and music at very low bitrates. It is the standard for WebRTC voice calls and excels at real-time communication.
About OPUS filesStrengths Comparison
AU Strengths
- Trivially simple format — 24-byte header, then samples.
- µ-law 8-bit variant fits hours of speech in kilobytes.
- Stable since 1988; every major audio library reads it.
- Streaming-friendly: size field is optional.
OPUS Strengths
- Best-in-class quality across the entire bitrate range.
- Royalty-free and patent-free.
- Ultra-low latency — suitable for live voice and music.
- Handles speech and music equally well — no need to switch codecs.
- Mandatory codec in WebRTC, so supported in every browser by design.
Limitations
AU Limitations
- Aging — obsolete outside legacy and compatibility scenarios.
- No metadata beyond a single annotation string.
- No native multi-channel surround support.
- Limited to 8 codecs, none modern.
OPUS Limitations
- Very low hardware decoder adoption — software-only on most phones.
- Older platforms (legacy Windows apps, old cars) may not play .opus files.
- Container semantics confusing — Opus lives inside Ogg, WebM, or MP4.
- Encoder tooling is less polished than AAC's commercial ecosystem.
Technical Specifications
| Specification | AU | OPUS |
|---|---|---|
| MIME types | audio/basic, audio/au, audio/x-au | — |
| Extensions | .au, .snd | .opus, .ogg (container) |
| Header | 24 bytes (magic, offset, size, encoding, rate, channels, info) | — |
| Codecs | PCM 8/16/24/32-bit, µ-law, A-law, IEEE float | — |
| Byte order | Big-endian | — |
| MIME type | — | audio/opus |
| Standard | — | RFC 6716 (2012) |
| Sample rates | — | 8, 12, 16, 24, 48 kHz |
| Latency | — | 5-60 ms (configurable) |
Typical File Sizes
AU
- 10-second clip (8-bit µ-law, 8 kHz) 80 KB
- 10-second clip (16-bit PCM, 44.1 kHz stereo) ~1.7 MB
OPUS
- Voice call (24 kbps) 180 KB/min
- Podcast (48 kbps) 21 MB/hour
- Music (128 kbps) ~1 MB/min
- High-fidelity music (160 kbps) ~1.2 MB/min
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Convert between AU and OPUS online, free, and without installing anything. Encrypted upload, automatic deletion after 60 minutes.
Frequently Asked Questions
AU (Sun AU Audio) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.
AU (Sun AU Audio) is an audio formatoo de arquivo used to store sound recordings — music, voice, podcasts, sound effects. The formato defines how the audio samples are comprimido (or stored raw), what bitrates are suportado, e how metadata como title, artist, album, e cover art is embedded. It is part of the audio arquivos family.
VLC, foobar2000, and the default media players on Windows and macOS handle AU natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.
VLC, foobar2000, e the default media players no Windows e macOS handle AU natively. On mobile, iOS Music e Android media apps vary in their support — popular formatoos funcionar everywhere; niche ones may need a dedicated app. If playback fails em um device, convertendo to MP3 ou AAC Geralmente solves it.
Upload the AU to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.
AU can be lossy or lossless depending on the specific variant. Lossy variants (smaller files) discard some audio detail during compression in ways tuned to be inaudible; lossless variants preserve every sample exactly but produce larger files. For distribution, lossy at high bitrate is standard; for archival, lossless wins.