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OPUS file .opus
File format · Released 2012 · By Xiph.Org, Mozilla, Skype, Google

About OPUS Files

Opus Audio

Opus is a versatile, open-source audio codec optimized for both speech and music at very low bitrates. It is the standard for WebRTC voice calls and excels at real-time communication.

Family

Audio Files

Extension

.opus

MIME Type

audio/opus

Can Use As

Input Output
● Hex Magic-Bytes Signature (Offset 0x00) Audio Files Binary/Text Stream
4F 50 55 53 00 01 00 00 4B 41 49 4A ASCII: OPUS....KAIJ
WASM + ISO-27001 HYBRID ENGINE
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The story

HOW OPUS CAME TO BE.

2012
2026

Opus is what happens when several of the best codec teams on the planet decide to collaborate. The IETF standardized it in September 2012 (RFC 6716) as a unified successor to Vorbis, CELT, and Skype’s SILK. Its brief was audacious: one codec that beats MP3 for music, HE-AAC for low bitrates, and G.722 for voice — at every bitrate from 6 kbps to 510 kbps, with algorithmic latency as low as 5 ms.

It succeeded. Every major VoIP system (WhatsApp, Signal, Discord, Zoom, Microsoft Teams), most browser-based real-time communication (WebRTC), YouTube’s VP9 streams, and most Bluetooth LE audio devices now use Opus. The codec is entirely royalty-free. It is, quantitatively, the best general-purpose audio codec available in 2026.

ISO / MIME SPECS

Technical Specifications

MIME type
audio/opus
Extensions
.opus, .ogg (container)
Standard
RFC 6716 (2012)
Sample rates
8, 12, 16, 24, 48 kHz
Latency
5-60 ms (configurable)

Typical Sizes & Weights

Voice call (24 kbps)

180 KB/min

Podcast (48 kbps)

21 MB/hour

Music (128 kbps)

~1 MB/min

High-fidelity music (160 kbps)

~1.2 MB/min

STRENGTHS & LIMITATIONS.

Strengths

  • Best-in-class quality across the entire bitrate range.
  • Royalty-free and patent-free.
  • Ultra-low latency — suitable for live voice and music.
  • Handles speech and music equally well — no need to switch codecs.
  • Mandatory codec in WebRTC, so supported in every browser by design.

Limitations

  • Very low hardware decoder adoption — software-only on most phones.
  • Older platforms (legacy Windows apps, old cars) may not play .opus files.
  • Container semantics confusing — Opus lives inside Ogg, WebM, or MP4.
  • Encoder tooling is less polished than AAC's commercial ecosystem.

CURIOSITIES & TRIVIA.

01

Opus can switch on the fly between a speech codec (SILK) and a music codec (CELT) mid-stream, picking the best for the current audio.

02

At 64 kbps, Opus sounds better than MP3 at 128 kbps — half the size, better quality.

03

The codec is used by WhatsApp, Signal, Discord, Telegram, Zoom, and Microsoft Teams for voice calls.

04

WebRTC (browser video calls) requires Opus as a mandatory codec for audio — every browser supports it.

05

Opus encoding latency can be as low as 5 ms — faster than human audio perception, which is why it works for live calls.

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STUDIO TOOLS FOR OPUS

Specialized Utilities for .OPUS Files

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CONVERT FROM OPUS

Common Use Cases

VoIP calls, WebRTC, voice chat, low-bitrate streaming.

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Frequently Asked Questions

OPUS (Opus Audio) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

VLC, foobar2000, and the default media players on Windows and macOS handle OPUS natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

Upload the OPUS to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.

OPUS can be lossy or lossless depending on the specific variant. Lossy variants (smaller files) discard some audio detail during compression in ways tuned to be inaudible; lossless variants preserve every sample exactly but produce larger files. For distribution, lossy at high bitrate is standard; for archival, lossless wins.

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