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DSF vs TTA

DSF vs TTA

A detailed comparison of DSD Stream File and True Audio Lossless — file size, quality, compatibility, and which format to choose for your workflow.

DSF

DSD Stream File

Audio Files

DSF (DSD Stream File) stores Direct Stream Digital audio data with metadata support. DSD uses single-bit sigma-delta modulation at very high sample rates (2.8 MHz and above), providing extremely high resolution audio favored by audiophiles.

About DSF files
TTA

True Audio Lossless

Audio Files

TTA (True Audio) is an open-source lossless audio codec that provides real-time lossless compression with hardware-friendly decoding. It achieves compression ratios similar to FLAC while maintaining very low CPU requirements during playback.

About TTA files

Strengths Comparison

DSF Strengths

  • Preserves SACD audio bit-exact.
  • Appeals to audiophiles who prefer DSD-encoded content.
  • Sony-supported and documented.
  • High-end DACs natively decode DSD without PCM conversion.

TTA Strengths

  • Lossless bit-exact reproduction.
  • Fast, low-memory decoding.
  • Open-source reference.
  • Cue-sheet support.

Limitations

DSF Limitations

  • Enormous file sizes (2-5 GB per album).
  • Specialized hardware required for native playback.
  • Blind listening tests struggle to distinguish from well-produced 24-bit PCM.
  • Niche — overwhelmingly targets the audiophile market.

TTA Limitations

  • Compression ratio worse than FLAC.
  • Niche tooling.
  • Hardware support died with 2000s DAP era.
  • Eclipsed by FLAC.

Technical Specifications

Specification DSF TTA
MIME type audio/x-dsf audio/x-tta
Extension .dsf .tta
Sample rate 2.8224 MHz (DSD64); 5.6448 (DSD128); 11.2896 (DSD256)
Bit depth 1 bit (Sigma-Delta modulation)
Container Sony proprietary (similar to DFF)
Algorithm Fixed prediction + adaptive Rice coding
License LGPL

Typical File Sizes

DSF

  • Single song (DSD64) 150-300 MB
  • Full album (DSD64) 2-4 GB
  • Single song (DSD256) 600 MB - 1.2 GB

TTA

  • 3-min song (CD) 20-25 MB
  • Full CD album 250-350 MB

Ready to convert?

Convert between DSF and TTA online, free, and without installing anything. Encrypted upload, automatic deletion after 2 hours.

Frequently Asked Questions

DSF (DSD Stream File) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

TTA (True Audio Lossless) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

VLC, foobar2000, and the default media players on Windows and macOS handle DSF natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

VLC, foobar2000, and the default media players on Windows and macOS handle TTA natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

Upload the DSF to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.

DSF can be lossy or lossless depending on the specific variant. Lossy variants (smaller files) discard some audio detail during compression in ways tuned to be inaudible; lossless variants preserve every sample exactly but produce larger files. For distribution, lossy at high bitrate is standard; for archival, lossless wins.