FLAC vs MID
A detailed comparison of FLAC Audio and MIDI Audio — file size, quality, compatibility, and which format to choose for your workflow.
FLAC Audio
Audio FilesFLAC is an open-source lossless audio codec that compresses audio to roughly 50-60% of its original size without any quality loss. It is the preferred format for audiophiles and music archival.
About FLAC filesMIDI Audio
Audio FilesMIDI stores musical performance data (notes, tempo) rather than audio waveforms.
About MID filesStrengths Comparison
FLAC Strengths
- Lossless — decoded audio is bit-exact identical to the source.
- 40-60% smaller than uncompressed WAV/AIFF.
- Free, patent-free, open-source reference implementation.
- Built-in error detection via MD5 checksums.
- Streaming-friendly — seek tables let you jump to any timestamp instantly.
MID Strengths
- Extremely compact — kilobytes for hours of music.
- Editable in every DAW (Logic, Cubase, Ableton, FL Studio, Reaper).
- Universal hardware interface for electronic instruments.
- 40+ years of stability — MIDI 1.0 files from 1983 still play.
- MIDI 2.0 (2020) extends to 32-bit velocity and polyphonic expression.
Limitations
FLAC Limitations
- File sizes still large compared to lossy codecs (5-10× bigger than AAC for same audio).
- Not suitable for low-bandwidth scenarios like streaming on mobile data.
- Older MP3 players and car stereos may not decode FLAC.
- Slower to encode than lossy codecs.
MID Limitations
- Not audio — playback quality varies wildly by synthesizer.
- Cannot represent vocals, samples, or non-synthesizable sounds.
- Web browsers stopped auto-playing MIDI around 2005.
- Consumer listeners almost never encounter .mid as a delivery format.
Technical Specifications
| Specification | FLAC | MID |
|---|---|---|
| MIME type | audio/flac | audio/midi |
| Extension | .flac | — |
| Standard | Open-source reference implementation (Xiph.Org) | MIDI 1.0 (1983), Standard MIDI File (SMF) 1.0 |
| Max bit depth | 32 bits per sample | — |
| Max sample rate | 655 350 Hz | — |
| Max channels | 8 | — |
| Extensions | — | .mid, .midi, .rmi (Microsoft variant) |
| Successor | — | MIDI 2.0 (2020) |
| Protocol | — | Serial MIDI 31.25 kbit/s (legacy hardware) |
Typical File Sizes
FLAC
- 3-min song (CD quality) 20-30 MB
- Full album (10 tracks, CD) 250-400 MB
- 3-min song (hi-res 24-bit/96 kHz) 80-120 MB
- Live concert recording (24-bit) 2-10 GB
MID
- Pop song (3 min) 10-50 KB
- Full game soundtrack (Doom-era) 100-800 KB
- Orchestral performance (90 min) 200 KB - 1 MB
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Convert between FLAC and MID online, free, and without installing anything. Encrypted upload, automatic deletion after 2 hours.
Frequently Asked Questions
FLAC (Free Lossless Audio Codec) is an open-source audio format that compresses audio without any quality loss. Developed by the Xiph.Org Foundation, it typically reduces file sizes by 40-50% compared to WAV while preserving bit-perfect audio.
MID (MIDI Audio) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.
FLAC files play in VLC, foobar2000, Winamp, and most modern music players. Streaming services like Tidal and Amazon Music HD use FLAC. Android supports it natively, and Apple devices support it via third-party apps.
VLC, foobar2000, and the default media players on Windows and macOS handle MID natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.
Both are lossless with similar compression ratios. Use FLAC for universal compatibility and open-source support. Use ALAC if you are fully invested in the Apple ecosystem since iTunes and Apple Music handle ALAC natively.
Upload the MID to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.