Image Converter Video Converter Audio Converter Document Converter
Pricing Guides Formats API
Log In
OPUS vs SPX

OPUS vs SPX

A detailed comparison of Opus Audio and Speex Audio — file size, quality, compatibility, and which format to choose for your workflow.

OPUS

Opus Audio

Audio Files

Opus is a versatile, open-source audio codec optimized for both speech and music at very low bitrates. It is the standard for WebRTC voice calls and excels at real-time communication.

About OPUS files
SPX

Speex Audio

Audio Files

Speex is an open-source audio compression format specifically designed for speech encoding. It uses Code-Excited Linear Prediction (CELP) and supports narrowband, wideband, and ultra-wideband modes for different speech quality requirements.

About SPX files

Strengths Comparison

OPUS Strengths

  • Best-in-class quality across the entire bitrate range.
  • Royalty-free and patent-free.
  • Ultra-low latency — suitable for live voice and music.
  • Handles speech and music equally well — no need to switch codecs.
  • Mandatory codec in WebRTC, so supported in every browser by design.

SPX Strengths

  • Patent-free voice codec.
  • Three sample-rate modes for voice.
  • Low CPU decode.

Limitations

OPUS Limitations

  • Very low hardware decoder adoption — software-only on most phones.
  • Older platforms (legacy Windows apps, old cars) may not play .opus files.
  • Container semantics confusing — Opus lives inside Ogg, WebM, or MP4.
  • Encoder tooling is less polished than AAC's commercial ecosystem.

SPX Limitations

  • Deprecated in favor of Opus.
  • No music support.
  • Rarely used in new projects.

Technical Specifications

Specification OPUS SPX
MIME type audio/opus audio/speex
Extensions .opus, .ogg (container)
Standard RFC 6716 (2012)
Sample rates 8, 12, 16, 24, 48 kHz
Latency 5-60 ms (configurable)
Extension .spx
Container Ogg
Modes Narrowband/Wideband/Ultra-wideband
Successor Opus

Typical File Sizes

OPUS

  • Voice call (24 kbps) 180 KB/min
  • Podcast (48 kbps) 21 MB/hour
  • Music (128 kbps) ~1 MB/min
  • High-fidelity music (160 kbps) ~1.2 MB/min

SPX

  • 1 min voice (wideband 24 kbps) ~180 KB

Ready to convert?

Convert between OPUS and SPX online, free, and without installing anything. Encrypted upload, automatic deletion after 2 hours.

Frequently Asked Questions

OPUS (Opus Audio) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

SPX (Speex Audio) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

VLC, foobar2000, and the default media players on Windows and macOS handle OPUS natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

VLC, foobar2000, and the default media players on Windows and macOS handle SPX natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

Upload the OPUS to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.

OPUS can be lossy or lossless depending on the specific variant. Lossy variants (smaller files) discard some audio detail during compression in ways tuned to be inaudible; lossless variants preserve every sample exactly but produce larger files. For distribution, lossy at high bitrate is standard; for archival, lossless wins.