CONVERT
OPUS → AMR
Fast, secure OPUS to AMR conversion. No registration required.
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Here is the short version — Opus is the modern low-latency royalty-free codec used in VoIP, streaming, and WebRTC. Hence the need for AMR. Need a AMR version of a OPUS recording for a podcast host, audio book platform or DAW that refuses the original container? Drop the file above and our encoder produces a clean AMR you can drag straight into the destination tool. Metadata such as title, artist and cover art travels with the audio. Context: Opus is the modern low-latency royalty-free codec used in VoIP, streaming, and WebRTC. AMR is the narrowband speech codec built for mobile voice recordings and 3G calls.
Opus Audio
Source formatOpus is a versatile, open-source audio codec optimized for both speech and music at very low bitrates. It is the standard for WebRTC voice calls and excels at real-time communication.
AMR Audio
Target formatAMR (Adaptive Multi-Rate) is an audio format optimized for speech, used in phone calls.
Why convert OPUS to AMR
Opus Audio is great in its own niche, but AMR Audio is either more universally playable or better suited to the device you are targeting. Converting lets you ship the audio without asking listeners to install a codec. The loss in quality between the two is negligible at sensible bitrates.
HOW TO CONVERT
OPUS → AMR
Upload the OPUS
Drop or select your OPUS file. The upload is encrypted and the file is queued for conversion.
Transcode via FFmpeg
FFmpeg decodes the OPUS stream to PCM internally, then re-encodes as AMR at the bitrate you select.
Download the AMR
The AMR is delivered as a direct download; metadata and cover art transfer automatically where possible.
Common Use Cases
Podcast distribution
Podcast hosts (Spotify, Apple, Acast) publish audio as AMR when the workflow requires it; converting upfront skips server-side transcoding.
DAW ingestion
Pro Tools, Logic, Ableton and Reaper pull AMR into projects without decode overhead, so scrubbing and waveform display are snappy.
Portable players
AMR plays reliably on old iPods, car stereos, Bluetooth speakers and fitness trackers where OPUS support is spotty.
Voice memo sharing
Voice notes recorded as OPUS travel to phones and desktops as AMR without recipients installing extra codecs.
OPUS vs AMR — Strengths and limitations
What each format does best, and where it falls short.
OPUS Strengths
- Best-in-class quality across the entire bitrate range.
- Royalty-free and patent-free.
- Ultra-low latency — suitable for live voice and music.
- Handles speech and music equally well — no need to switch codecs.
- Mandatory codec in WebRTC, so supported in every browser by design.
Limitations
- Very low hardware decoder adoption — software-only on most phones.
- Older platforms (legacy Windows apps, old cars) may not play .opus files.
- Container semantics confusing — Opus lives inside Ogg, WebM, or MP4.
AMR Strengths
- Extremely low bitrate — 4.75-12.2 kbps for speech.
- Designed for error-prone mobile channels — handles packet loss gracefully.
- Tiny file sizes — hours of voice in a few MB.
- Mandatory codec in all 3G/UMTS phones — universal cellular compatibility.
Limitations
- Speech-only — music sounds distorted.
- Narrowband (8 kHz sample rate) — muffled compared to modern codecs.
- Patent-encumbered until recently — licensing fees slowed adoption outside telephony.
OPUS vs AMR — Technical specifications
Side-by-side comparison of the technical details.
| Specification | OPUS | AMR |
|---|---|---|
| MIME type | audio/opus | audio/amr |
| Extensions | .opus, .ogg (container) | .amr, .3ga |
| Standard | RFC 6716 (2012) | 3GPP TS 26.071 (narrowband), TS 26.171 (wideband) |
| Sample rates | 8, 12, 16, 24, 48 kHz | — |
| Latency | 5-60 ms (configurable) | — |
| Sample rate | — | 8 kHz (AMR-NB); 16 kHz (AMR-WB) |
| Bitrates | — | 4.75, 5.15, 5.9, 6.7, 7.4, 7.95, 10.2, 12.2 kbps |
OPUS vs AMR — Typical file sizes
Approximate file sizes for common scenarios.
OPUS
- Voice call (24 kbps) 180 KB/min
- Podcast (48 kbps) 21 MB/hour
- Music (128 kbps) ~1 MB/min
- High-fidelity music (160 kbps) ~1.2 MB/min
AMR
- 1-min voice memo 45-90 KB
- 1-hour voicemail archive 3-5 MB
Quality & Compatibility
Lossy-to-lossy transcoding (most cross-format audio jobs) loses a tiny amount of quality on each pass — usually inaudible at our default VBR ~190 kbps for music or 96 kbps for speech. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy is only as good as the target bitrate you choose.
Tips for Best Results
- Pick 128 kbps for podcasts and voice, 192–256 kbps for music, 320 kbps only if the audio will be edited further downstream.
- Keep the OPUS master alongside the AMR — re-encoding a lossy format twice accumulates audible artefacts.
- For mono voice content, convert to mono AMR explicitly to halve file size without any quality loss.
Frequently Asked Questions
Frequently Asked Questions
Lossy-to-lossy conversions (most combinations) re-compress the audio, which technically introduces some loss. At a 192 kbps or higher target it is inaudible on normal equipment. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy transcodes are only as good as the target bitrate you choose.
For voice content (podcasts, audiobooks, lectures) 128 kbps is indistinguishable from higher bitrates. For music, 192-256 kbps covers most listening; 320 kbps is the ceiling for AMR and the right choice for audio you plan to edit further. Above that, prefer a lossless target instead.
Yes. Title, artist, album, year and cover art travel from the OPUS container to the AMR container automatically where both formats support them. If a tag field has no AMR equivalent, it is dropped silently. Use any tag editor (Mp3tag, MusicBrainz Picard) to fine-tune afterwards.
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Read guideSecure & Private Conversion
Your files are encrypted during transfer, processed in isolated containers, and automatically deleted within 60 minutes. We never read, share, or store your data.