CONVERT
WV → W64
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Fast, secure WV to W64 conversion. No registration required.
Why this pair exists — WV is WavPack's hybrid lossless/lossy audio codec with a correction-file workflow. Ergo, the W64 route. Converting WV to W64 changes the audio container without re-recording anything. Whether you are moving from a studio master to a distribution format or just making a file playable on an old car stereo, KaijuConverter re-encodes the audio with FFmpeg at your chosen bitrate and preserves sample rate, channels and ID3 tags. The source WV file stays untouched. Keep in mind WV is WavPack's hybrid lossless/lossy audio codec with a correction-file workflow. And remember that W64 is an audio format with specific trade-offs between file size, bitrate flexibility, and device support.
WavPack Audio
Source formatWavPack is an open-source audio codec that offers lossless, lossy, and hybrid compression modes. Its unique hybrid mode creates a lossy file plus a correction file that together reconstruct the original, enabling flexible storage strategies.
Sony Wave64
Target formatWave64 (W64) is an extension of the WAV format developed by Sony that breaks the 4 GB file size limit of standard WAV by using 64-bit chunk sizes. It is used in professional audio production for very long or multi-channel recordings.
Why convert WV to W64
WavPack Audio is great in its own niche, but Sony Wave64 is either more universally playable or better suited to the device you are targeting. Converting lets you ship the audio without asking listeners to install a codec. The loss in quality between the two is negligible at sensible bitrates.
HOW TO CONVERT
WV → W64
Upload the WV
Drop or select your WV file. The upload is encrypted and the file is queued for conversion.
Transcode via FFmpeg
FFmpeg decodes the WV stream to PCM internally, then re-encodes as W64 at the bitrate you select.
Download the W64
The W64 is delivered as a direct download; metadata and cover art transfer automatically where possible.
Common Use Cases
Share across platforms
Send W64 files to anyone without worrying about whether they have the right software for WV.
Embed in documents
Drop W64 output into Word, Google Docs, PowerPoint, Notion or a website without conversion warnings.
Optimize size
W64 often produces smaller files than WV for web, email and storage.
Archive & future-proof
Store in a widely-supported format that will still open on future operating systems without legacy plugins.
WV vs W64 — Strengths and limitations
What each format does best, and where it falls short.
WV Strengths
- Hybrid lossy/lossless mode.
- Supports DSD, 32-bit float, multichannel.
- Competitive compression vs FLAC.
- Active maintenance since 1998.
Limitations
- Small ecosystem.
- Hybrid mode complexity.
- Hardware support limited vs FLAC.
W64 Strengths
- Unlimited file size (64-bit chunks).
- Professional DAW compatibility.
- Bit-exact lossless.
Limitations
- Less universal than WAV.
- Niche — only matters for very large sessions.
- Competes with RF64.
WV vs W64 — Technical specifications
Side-by-side comparison of the technical details.
WV
- MIME type
- audio/x-wavpack
- Extension
- .wv (main), .wvc (correction)
- Modes
- Lossless, Hybrid lossy+correction, 32-bit float
- License
- BSD-style
W64
- MIME type
- audio/x-w64
- Extension
- .w64
- Max size
- 2^64 bytes
- Relative
- RF64 (EBU 64-bit WAV)
| Specification | WV | W64 |
|---|---|---|
| MIME type | audio/x-wavpack | audio/x-w64 |
| Extension | .wv (main), .wvc (correction) | .w64 |
| Modes | Lossless, Hybrid lossy+correction, 32-bit float | — |
| License | BSD-style | — |
| Max size | — | 2^64 bytes |
| Relative | — | RF64 (EBU 64-bit WAV) |
WV vs W64 — Typical file sizes
Approximate file sizes for common scenarios.
WV
- 3-min song (CD lossless) 18-24 MB
- 3-min hi-res 24/96 60-90 MB
W64
- 1-hour 24-bit 48 kHz mono ~620 MB
- 48-hour field recording ~30 GB
Quality & Compatibility
Lossy-to-lossy transcoding (most cross-format audio jobs) loses a tiny amount of quality on each pass — usually inaudible at our default VBR ~190 kbps for music or 96 kbps for speech. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy is only as good as the target bitrate you choose.
Tips for Best Results
- Pick 128 kbps for podcasts and voice, 192–256 kbps for music, 320 kbps only if the audio will be edited further downstream.
- Keep the WV master alongside the W64 — re-encoding a lossy format twice accumulates audible artefacts.
- For mono voice content, convert to mono W64 explicitly to halve file size without any quality loss.
Frequently Asked Questions
Lossy-to-lossy conversions (most combinations) re-compress the audio, which technically introduces some loss. At a 192 kbps or higher target it is inaudible on normal equipment. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy transcodes are only as good as the target bitrate you choose.
For voice content (podcasts, audiobooks, lectures) 128 kbps is indistinguishable from higher bitrates. For music, 192-256 kbps covers most listening; 320 kbps is the ceiling for W64 and the right choice for audio you plan to edit further. Above that, prefer a lossless target instead.
Yes. Title, artist, album, year and cover art travel from the WV container to the W64 container automatically where both formats support them. If a tag field has no W64 equivalent, it is dropped silently. Use any tag editor (Mp3tag, MusicBrainz Picard) to fine-tune afterwards.
RELATED CONVERSIONS
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Secure & Private Conversion
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