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AMR vs FLAC

AMR vs FLAC

Um comparativo detalhado de AMR Audio e FLAC Audio — tamanho de arquivo, qualidade, compatibilidade e qual escolher de acordo com seu fluxo de trabalho.

AMR

AMR Audio

Audio Files

AMR (Adaptive Multi-Rate) is an audio format optimized for speech, used in phone calls.

Sobre os arquivos AMR
FLAC

FLAC Audio

Audio Files

FLAC is an open-source lossless audio codec that compresses audio to roughly 50-60% of its original size without any quality loss. It is the preferred format for audiophiles and music archival.

Sobre os arquivos FLAC

Comparativo de vantagens

AMR Vantagens

  • Extremely low bitrate — 4.75-12.2 kbps for speech.
  • Designed for error-prone mobile channels — handles packet loss gracefully.
  • Tiny file sizes — hours of voice in a few MB.
  • Mandatory codec in all 3G/UMTS phones — universal cellular compatibility.

FLAC Vantagens

  • Lossless — decoded audio is bit-exact identical to the source.
  • 40-60% smaller than uncompressed WAV/AIFF.
  • Free, patent-free, open-source reference implementation.
  • Built-in error detection via MD5 checksums.
  • Streaming-friendly — seek tables let you jump to any timestamp instantly.

Limitações

AMR Limitações

  • Speech-only — music sounds distorted.
  • Narrowband (8 kHz sample rate) — muffled compared to modern codecs.
  • Patent-encumbered until recently — licensing fees slowed adoption outside telephony.
  • Being phased out of new devices in favor of EVS and Opus.
  • Non-standard extensions and variants make tooling inconsistent.

FLAC Limitações

  • File sizes still large compared to lossy codecs (5-10× bigger than AAC for same audio).
  • Not suitable for low-bandwidth scenarios like streaming on mobile data.
  • Older MP3 players and car stereos may not decode FLAC.
  • Slower to encode than lossy codecs.

Especificações técnicas

Especificação AMR FLAC
MIME type audio/amr audio/flac
Extensions .amr, .3ga
Standard 3GPP TS 26.071 (narrowband), TS 26.171 (wideband) Open-source reference implementation (Xiph.Org)
Sample rate 8 kHz (AMR-NB); 16 kHz (AMR-WB)
Bitrates 4.75, 5.15, 5.9, 6.7, 7.4, 7.95, 10.2, 12.2 kbps
Extension .flac
Max bit depth 32 bits per sample
Max sample rate 655 350 Hz
Max channels 8

Tamanhos típicos de arquivo

AMR

  • 1-min voice memo 45-90 KB
  • 1-hour voicemail archive 3-5 MB

FLAC

  • 3-min song (CD quality) 20-30 MB
  • Full album (10 tracks, CD) 250-400 MB
  • 3-min song (hi-res 24-bit/96 kHz) 80-120 MB
  • Live concert recording (24-bit) 2-10 GB

Pronto para converter?

Converta entre AMR e FLAC online, grátis e sem instalar nada. Upload criptografado, exclusão automática em 60 minutos.

Perguntas frequentes

AMR (AMR Audio) is an audio file format used to store sound recordings — music, voice, podcasts, sound effects. The format defines how the audio samples are compressed (or stored raw), what bitrates are supported, and how metadata such as title, artist, album, and cover art is embedded. It is part of the audio files family.

AMR (AMR Audio) is an audio formatoo de arquivo used to store sound recordings — music, voice, podcasts, sound effects. The formato defines how the audio samples are comprimido (or stored raw), what bitrates are suportado, e how metadata como title, artist, album, e cover art is embedded. It is part of the audio arquivos family.

VLC, foobar2000, and the default media players on Windows and macOS handle AMR natively. On mobile, iOS Music and Android media apps vary in their support — popular formats work everywhere; niche ones may need a dedicated app. If playback fails on a device, converting to MP3 or AAC usually solves it.

VLC, foobar2000, e the default media players no Windows e macOS handle AMR natively. On mobile, iOS Music e Android media apps vary in their support — popular formatoos funcionar everywhere; niche ones may need a dedicated app. If playback fails em um device, convertendo to MP3 ou AAC Geralmente solves it.

Upload the AMR to KaijuConverter and pick MP3, WAV, FLAC, AAC, OGG, or any other target. Our FFmpeg pipeline decodes the audio and re-encodes to the target format at sensible default bitrates (VBR ~190 kbps for music, 96 kbps for speech). Metadata and cover art travel with the audio where both formats support them.

AMR can be lossy or lossless depending on the specific variant. Lossy variants (smaller files) discard some audio detail during compression in ways tuned to be inaudible; lossless variants preserve every sample exactly but produce larger files. For distribution, lossy at high bitrate is standard; for archival, lossless wins.