MTS vs WAV
Una comparativa detallada de AVCHD Video y WAV Audio — tamaño de archivo, calidad, compatibilidad y cuál elegir según tu flujo de trabajo.
AVCHD Video
Video FilesMTS (AVCHD) is a high-definition video format from Sony and Panasonic camcorders.
Sobre los archivos MTSWAV Audio
Audio FilesWAV is an uncompressed audio format that preserves full audio fidelity. Files are large but provide lossless, CD-quality sound. It is the standard working format in audio production and editing.
Sobre los archivos WAVComparativa de ventajas
MTS Ventajas
- Native format for every AVCHD camcorder since 2006.
- H.264 compression — small files for high-def quality.
- Direct compatibility with iMovie, Premiere, Resolve, Final Cut.
- Carries Dolby Digital 5.1 audio on flagship camcorders.
WAV Ventajas
- Bit-perfect, uncompressed audio — the professional studio standard.
- Universally supported for playback, editing, and analysis.
- No re-encoding penalty — edit and save repeatedly with zero quality loss.
- Simple internal structure — easy to parse programmatically.
- Supports up to 32-bit float and 384 kHz sample rates.
Limitaciones
MTS Limitaciones
- Slow to decode — editors typically transcode for editing.
- Proprietary folder-structure conventions complicate direct import.
- Largely legacy as smartphones replaced dedicated camcorders.
- 192-byte packet format adds overhead vs plain TS.
WAV Limitaciones
- Enormous file sizes — 10 MB per minute for CD-quality stereo.
- 4 GB size limit for standard WAV (RF64/W64 variants extend it but break compatibility).
- No native support for cover art or rich metadata.
- Impractical for casual listening or bandwidth-constrained delivery.
Especificaciones técnicas
| Especificación | MTS | WAV |
|---|---|---|
| MIME type | video/mp2t | audio/wav |
| Extension | .mts | — |
| Container | BDAV MPEG-2 Transport Stream (192-byte packets) | RIFF |
| Video codecs | H.264 (AVCHD Main/High Profile) | — |
| Audio codecs | AC-3 (Dolby Digital), LPCM | — |
| Typical codec | — | PCM (uncompressed) |
| Bit depth | — | 8, 16, 24, 32 bit integer or float |
| Sample rate | — | Up to 384 kHz |
| Max size | — | 4 GB (standard WAV), unlimited (RF64 / W64) |
Tamaños típicos de archivo
MTS
- 1 min HD AVCHD (17 Mbps) ~130 MB
- 1 hour AVCHD Full HD ~8 GB
WAV
- Song (4 min, CD quality) 40 MB
- Voice memo (1 min, 16-bit 44.1 kHz) 10 MB
- Studio master (1 min, 24-bit 96 kHz) 33 MB
- Field recording (1 hour, 24-bit 48 kHz) 1 GB
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Frequently Asked Questions
MTS (AVCHD Video) is a video container format that bundles one or more video streams, audio tracks, and optional subtitles into a single file. The container format determines how metadata is organised and which codecs can live inside; the visual quality itself depends on the codec (H.264, H.265, VP9, AV1) rather than the MTS wrapper. It is part of the video files family.
WAV (Waveform Audio File Format) is an uncompressed audio format co-developed by Microsoft and IBM in 1991. It stores raw PCM audio data, providing studio-quality sound at the cost of large file sizes.
VLC, MPV and PotPlayer play nearly every MTS file on desktop. Browser support varies: modern Chromium, Firefox and Safari play common containers via the HTML5 <video> tag, but niche MTS variants may fail. If a device refuses your MTS, convert to MP4 with our MTS to MP4 converter for universal playback.
WAV files play on virtually every media player and operating system including VLC, Windows Media Player, iTunes, Audacity, and all DAWs (Digital Audio Workstations) like Pro Tools and Logic Pro.
Upload your MTS to KaijuConverter and pick MP4, MOV, MKV, WebM, or any other target. Our pipeline uses FFmpeg under the hood and stream-copies when codecs are compatible (no quality loss) or transcodes at high-quality defaults otherwise. Conversion runs server-side; both files delete within two hours.
Only when the target requires re-encoding. If the codecs inside MTS match what the target container supports, FFmpeg stream-copies the streams and the output is bit-identical to the source. Transcoding uses transparent quality defaults (CRF 20–23 H.264) and produces output indistinguishable from the original at normal viewing distance.