CONVERT
MP3 → AU
Tap to choose your fileDRAG. DROP. DONE.
Upload any file and our engines will handle format detection automatically.
Max 25 MB · Free plan · No signup required
Convert to:
Detecting available formats...
Optimize for
Leave empty to use original name. Extension added automatically.
Uploading...
Processing your file...
Fast, secure MP3 to AU conversion. No registration required.
Opening note — MP3 is the universal lossy audio format with decades of hardware support. The AU you want is two clicks away. Converting MP3 to AU changes the audio container without re-recording anything. Whether you are moving from a studio master to a distribution format or just making a file playable on an old car stereo, KaijuConverter re-encodes the audio with FFmpeg at your chosen bitrate and preserves sample rate, channels and ID3 tags. The source MP3 file stays untouched. Context: MP3 is the universal lossy audio format with decades of hardware support. AU is the Sun/NeXT audio format, a historical PCM container still found in older pipelines.
MP3 Audio
Source formatMP3 is the most widely recognized audio format in the world. It uses lossy compression to dramatically reduce file sizes while maintaining good perceived audio quality, making it the standard for music distribution.
Sun AU Audio
Target formatAU is a simple audio format from Sun Microsystems, commonly used on Unix systems.
Why convert MP3 to AU
MP3 Audio is great in its own niche, but Sun AU Audio is either more universally playable or better suited to the device you are targeting. Converting lets you ship the audio without asking listeners to install a codec. The loss in quality between the two is negligible at sensible bitrates.
HOW TO CONVERT
MP3 → AU
Upload the MP3
Drop or select your MP3 file. The upload is encrypted and the file is queued for conversion.
Transcode via FFmpeg
FFmpeg decodes the MP3 stream to PCM internally, then re-encodes as AU at the bitrate you select.
Download the AU
The AU is delivered as a direct download; metadata and cover art transfer automatically where possible.
Common Use Cases
Share across platforms
Send AU files to anyone without worrying about whether they have the right software for MP3.
Embed in documents
Drop AU output into Word, Google Docs, PowerPoint, Notion or a website without conversion warnings.
Optimize size
AU often produces smaller files than MP3 for web, email and storage.
Archive & future-proof
Store in a widely-supported format that will still open on future operating systems without legacy plugins.
MP3 vs AU — Strengths and limitations
What each format does best, and where it falls short.
MP3 Strengths
- Universal support — every device, every player, every car stereo.
- Small file sizes with acceptable quality at 128–320 kbps.
- Completely royalty-free since April 2017.
- ID3 metadata tags support artist, album, cover art, lyrics, and more.
- Efficient decoding — runs on the most basic hardware.
Limitations
- Lossy — re-encoding compounds quality loss.
- Outperformed by AAC, Opus, and OGG at equivalent bitrates.
- Pre-echo artifacts on sharp percussive sounds.
AU Strengths
- Trivially simple format — 24-byte header, then samples.
- µ-law 8-bit variant fits hours of speech in kilobytes.
- Stable since 1988; every major audio library reads it.
- Streaming-friendly: size field is optional.
Limitations
- Aging — obsolete outside legacy and compatibility scenarios.
- No metadata beyond a single annotation string.
- No native multi-channel surround support.
MP3 vs AU — Technical specifications
Side-by-side comparison of the technical details.
MP3
- MIME type
- audio/mpeg
- Compression
- Lossy — perceptual coding based on psychoacoustic model
- Sample rates
- 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, 48 kHz
- Bitrates
- 32–320 kbps (CBR) or VBR
- Channels
- Mono or stereo only
- Metadata
- ID3v1, ID3v2
AU
- MIME types
- audio/basic, audio/au, audio/x-au
- Extensions
- .au, .snd
- Header
- 24 bytes (magic, offset, size, encoding, rate, channels, info)
- Codecs
- PCM 8/16/24/32-bit, µ-law, A-law, IEEE float
- Byte order
- Big-endian
| Specification | MP3 | AU |
|---|---|---|
| MIME type | audio/mpeg | — |
| Compression | Lossy — perceptual coding based on psychoacoustic model | — |
| Sample rates | 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, 48 kHz | — |
| Bitrates | 32–320 kbps (CBR) or VBR | — |
| Channels | Mono or stereo only | — |
| Metadata | ID3v1, ID3v2 | — |
| MIME types | — | audio/basic, audio/au, audio/x-au |
| Extensions | — | .au, .snd |
| Header | — | 24 bytes (magic, offset, size, encoding, rate, channels, info) |
| Codecs | — | PCM 8/16/24/32-bit, µ-law, A-law, IEEE float |
| Byte order | — | Big-endian |
MP3 vs AU — Typical file sizes
Approximate file sizes for common scenarios.
MP3
- Song at 128 kbps (4 min) 3.8 MB
- Song at 320 kbps (4 min) 9.5 MB
- Podcast (1 hour, 96 kbps) 42 MB
- Audiobook (8 hours, 64 kbps) 220 MB
AU
- 10-second clip (8-bit µ-law, 8 kHz) 80 KB
- 10-second clip (16-bit PCM, 44.1 kHz stereo) ~1.7 MB
Quality & Compatibility
Lossy-to-lossy transcoding (most cross-format audio jobs) loses a tiny amount of quality on each pass — usually inaudible at our default VBR ~190 kbps for music or 96 kbps for speech. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy is only as good as the target bitrate you choose.
Tips for Best Results
- Pick 128 kbps for podcasts and voice, 192–256 kbps for music, 320 kbps only if the audio will be edited further downstream.
- Keep the MP3 master alongside the AU — re-encoding a lossy format twice accumulates audible artefacts.
- For mono voice content, convert to mono AU explicitly to halve file size without any quality loss.
Frequently Asked Questions
Lossy-to-lossy conversions (most combinations) re-compress the audio, which technically introduces some loss. At a 192 kbps or higher target it is inaudible on normal equipment. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy transcodes are only as good as the target bitrate you choose.
For voice content (podcasts, audiobooks, lectures) 128 kbps is indistinguishable from higher bitrates. For music, 192-256 kbps covers most listening; 320 kbps is the ceiling for AU and the right choice for audio you plan to edit further. Above that, prefer a lossless target instead.
Yes. Title, artist, album, year and cover art travel from the MP3 container to the AU container automatically where both formats support them. If a tag field has no AU equivalent, it is dropped silently. Use any tag editor (Mp3tag, MusicBrainz Picard) to fine-tune afterwards.
RELATED CONVERSIONS
Other popular pairs involving MP3 or AU
More from MP3
More ways to reach AU
Related comparisons
See these formats side by side to understand which fits your use case best.
Related Guides
Opus Audio Format: The Complete Technical Guide
Complete technical guide to Opus audio: SILK and CELT engines, hybrid mode, bandwidth modes, bitrate reference from 6 to 510 kbps, Ogg Opus container, latency, browser support, and FFmpeg opusenc encoding commands.
Read guideAAC Audio Format: The Complete Technical Guide
Complete technical guide to AAC: AAC-LC, HE-AAC v1/v2, AAC-ELD profiles, MDCT filter bank, TNS, PNS, joint stereo, bitrate reference, M4A vs ADTS containers, and FFmpeg libfdk_aac encoding commands.
Read guideFLAC: The Complete Guide to Free Lossless Audio Codec
Complete technical guide to FLAC: file structure, STREAMINFO MD5, linear predictive coding, Rice entropy coding, compression levels 0–8, ReplayGain, FLAC vs ALAC, and high-resolution audio encoding commands.
Read guideSecure & Private Conversion
Your files are encrypted during transfer, processed in isolated containers, and automatically deleted within 60 minutes. We never read, share, or store your data.