CONVERT W64 → FLAC (W64 to FLAC)
Fast, secure W64 to FLAC conversion. No registration required.
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HOW TO CONVERT W64 → FLAC
Provide the audio file
Drag the W64 onto the uploader. Files up to 25 MB run on the free tier without registration; paid plans go up to 2 GB.
ffmpeg handles the conversion
Our ffmpeg-based pipeline reads sample rate and channel layout, then writes a matching FLAC with ID3 tags intact.
Save the output
Click to download the FLAC. Batch uploads are bundled into a ZIP for single-click retrieval.
Why this pair exists — W64 is an audio format with specific trade-offs between file size, bitrate flexibility, and device support. Ergo, the FLAC route. A W64 to FLAC transcode is mostly about compatibility, not fidelity. At sensible default bitrates you cannot tell the two apart by ear; what you get is a file that actually opens on the hardware or website you were aiming at. FFmpeg handles the heavy lifting and we stream the result straight back as a download. Keep in mind W64 is an audio format with specific trade-offs between file size, bitrate flexibility, and device support. And remember that FLAC is the Free Lossless Audio Codec, offering 40–60% compression with zero quality loss.
Why convert W64 to FLAC
Moving from W64 to FLAC usually buys compatibility or a friendlier file size. For spoken-word content the difference is inaudible; for high-resolution music pick the highest bitrate the FLAC codec supports to avoid compounding compression.
W64 vs FLAC — Technical specifications
Side-by-side comparison of the technical details.
W64
- MIME type
- audio/x-w64
- Extension
- .w64
- Max size
- 2^64 bytes
- Relative
- RF64 (EBU 64-bit WAV)
- MIME Type
- audio/x-w64
- Category
- Audio Files
- Full Name
- Sony Wave64
- Conversion Engine
- FFMPEG
FLAC
- MIME type
- audio/flac
- Extension
- .flac
- MIME Type
- audio/flac
- Category
- Audio Files
- Full Name
- FLAC Audio
- Conversion Engine
- FFMPEG
- Standard
- Open-source reference implementation (Xiph.Org)
- Max bit depth
- 32 bits per sample
- Max sample rate
- 655 350 Hz
- Max channels
- 8
| Specification | W64 | FLAC |
|---|---|---|
| MIME type | audio/x-w64 | audio/flac |
| Extension | .w64 | .flac |
| Max size | 2^64 bytes | — |
| Relative | RF64 (EBU 64-bit WAV) | — |
| MIME Type | audio/x-w64 | audio/flac |
| Category | Audio Files | Audio Files |
| Full Name | Sony Wave64 | FLAC Audio |
| Conversion Engine | FFMPEG | FFMPEG |
| Standard | — | Open-source reference implementation (Xiph.Org) |
| Max bit depth | — | 32 bits per sample |
| Max sample rate | — | 655 350 Hz |
| Max channels | — | 8 |
W64 vs FLAC — Strengths and limitations
What each format does best, and where it falls short.
W64 Strengths
- Unlimited file size (64-bit chunks).
- Professional DAW compatibility.
- Bit-exact lossless.
Limitations
- Less universal than WAV.
- Niche — only matters for very large sessions.
- Competes with RF64.
FLAC Strengths
- Lossless — decoded audio is bit-exact identical to the source.
- 40-60% smaller than uncompressed WAV/AIFF.
- Free, patent-free, open-source reference implementation.
- Built-in error detection via MD5 checksums.
- Streaming-friendly — seek tables let you jump to any timestamp instantly.
Limitations
- File sizes still large compared to lossy codecs (5-10× bigger than AAC for same audio).
- Not suitable for low-bandwidth scenarios like streaming on mobile data.
- Older MP3 players and car stereos may not decode FLAC.
Quality & Compatibility
Sample rate, channel layout and bit depth are preserved by default: a 44.1 kHz stereo W64 becomes a 44.1 kHz stereo FLAC. Metadata — title, artist, album, cover art — travels where both formats support it. Protected DRM content cannot be converted legally and is rejected.
Tips for Best Results
- Check the podcast host specification before choosing bitrate — some mandate CBR 64 kbps, others accept VBR up to 192 kbps.
- Preserve ID3 tags by editing them before conversion; Mp3tag and MusicBrainz Picard handle round-tripping cleanly.
- If the W64 is 24-bit studio audio, the FLAC at 16-bit is sufficient for listening; higher is wasted on consumer playback gear.
Frequently Asked Questions
Lossy-to-lossy conversions (most combinations) re-compress the audio, which technically introduces some loss. At a 192 kbps or higher target it is inaudible on normal equipment. Lossy-to-lossless conversions freeze the existing quality but cannot improve it; lossless-to-lossy transcodes are only as good as the target bitrate you choose.
For voice content (podcasts, audiobooks, lectures) 128 kbps is indistinguishable from higher bitrates. For music, 192-256 kbps covers most listening; 320 kbps is the ceiling for FLAC and the right choice for audio you plan to edit further. Above that, prefer a lossless target instead.
Yes. Title, artist, album, year and cover art travel from the W64 container to the FLAC container automatically where both formats support them. If a tag field has no FLAC equivalent, it is dropped silently. Use any tag editor (Mp3tag, MusicBrainz Picard) to fine-tune afterwards.
Sony Wave64
Source formatWave64 (W64) is an extension of the WAV format developed by Sony that breaks the 4 GB file size limit of standard WAV by using 64-bit chunk sizes. It is used in professional audio production for very long or multi-channel recordings.
FLAC Audio
Target formatFLAC is an open-source lossless audio codec that compresses audio to roughly 50-60% of its original size without any quality loss. It is the preferred format for audiophiles and music archival.
Going the other way? Convert FLAC back to W64 with the same engine.
Common Use Cases
Share across platforms
Send FLAC files to anyone without worrying about whether they have the right software for W64.
Embed in documents
Drop FLAC output into Word, Google Docs, PowerPoint, Notion or a website without conversion warnings.
Optimize size
FLAC often produces smaller files than W64 for web, email and storage.
Archive & future-proof
Store in a widely-supported format that will still open on future operating systems without legacy plugins.
W64 vs FLAC — Typical file sizes
Approximate file sizes for common scenarios.
- 1-hour 24-bit 48 kHz mono ~620 MB
- 48-hour field recording ~30 GB
- 3-min song (CD quality) 20-30 MB
- Full album (10 tracks, CD) 250-400 MB
- 3-min song (hi-res 24-bit/96 kHz) 80-120 MB
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Related comparisons
See these formats side by side to understand which fits your use case best.
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